Now, Sony is quickly developing their own arsenal of lenses, and Sigma is doing the same to ensure the ever-growing army of Sony shooters have what they desire in the lens department. The Sigma 135mm is 91 x 114mm, the lens hood adds 60mm (with a diameter of 102mm). [0], Weight: 1496g plus 104g for the carbon fiber lens hood and 123g for the detachable tripod collar which adds up to a total weight of 1723g. The Nikon is 95 x 106mm with the lens hood adding another 47mm (111mm diameter). As an Amazon Associate I earn from qualifying purchases. The Sigma 135mm and the Nikon need cheaper 82mm filters. Instead, everything was tack sharp on my Sony, even wide open – just like it was on Canon! Check prices on the Sigma 105mm f1.4 Art at Amazon, Nikon Z TC-1.4x TC-2.0x teleconverter review. While that worked, the autofocus was much slower. I really can’t get enough of the look this lens renders. The Sigma 105mm F2.8 DG DN MACRO Art is a brand new telephoto macro lens for the Sony E-mount and L-mount full-frame mirrorless camera systems. Focus accuracy and repeatability is critical to consistently produce sharp shots. It offers a useful wideangle to moderate telephoto zoom range, and includes a Hypersonic Motor for fast, silent focus. Needless to say, I felt a bit of trepidation as I dipped my toes back into the Sigma waters, but I was pleasantly surprised. Following the tradition, this is a huge and heavy lens. Sigma 105mm f/1.4 DG HSM review: Introduction. The products in this post may contain affiliate links. The Sigma 105mm F1.4 DG HSM Art earns our Editors' Choice, with as enthusiastic a recommendation as the Nikkor 105mm F1.4E. Verdict The Sigma 105mm f1.4 Art is an excellent lens. The retailers I recommend below are the ones I trust for my purchases. Available for multiple systems. AF-operation is barely audible from the outside and if you record video with the built-in microphone there’s only a “tap” at the beginning and the end of focus-movement and the AF-drive is very quiet. 19% VAT) / 1600 USD. The Sigma 135mm has a street price of around 1250 EUR / 1400 USD and the Nikon is around 2000 EUR / 2200 USD. Manual-focus override is by simply turning the focus ring. Lenstip and DxO have rated it the sharpest 85mm lens ever created, beating out even the legendary 85mm F1.4 Zeiss Otus, which isn't something that we take lightly. Image Quality: All three lenses are super sharp with minimum vignetting and negligible chromatic aberration.If I had a gun to my head … The focus ring offers a good grip with a 33mm broad rubber surface but its movement is a bit too stiff to be comfortably operated with a single finger. It was a joy to have a telephoto again. Our Verdict. That made me reevaluate how I photographed a wedding day. Let’s get something straight: this lens is MASSIVE. But the Sigma 135mm f1.8 increases magnification by 18% and the Nikon 105mm f1.4E even by 28%. I’ve used multiple Sigma lenses on multiple camera platforms, dating way back to when I shot on Canon. Beautiful Bokeh Solid Build Quality Weather Resistant Ridiculously Sharp Perfect Length & Aperture for Portraits & Brenizer Methods, Lacks Image Stabilization Ridiculously Large Heavy for Extended Use Long Focus Distance. The falloff is great, the images are tack-sharp, and the bokeh is stunning. Sigma 105mm on Sony A7RIII | Sony A9 & Sony FE 35mm f/1.4 ZA | 1/160 f/2.8 ISO 640. One of my favorite lenses has always been a mid-length telephoto prime. This is an in-depth review of the Sigma 35mm f/1.4 DG HSM Art prime lens that was announced at one of the largest photo shows in the industry, at Photokina in Germany on September 17, 2012 for Sigma, Canon, Nikon, Pentax and Sony mounts. Despite its size and weight, I loved making images with this lens. For those who would prefer not to have it, however, Sigma did think ahead and also provided a silicone band that fits in the space that the collar resides, should you opt to remove it. Even more than that, attempting to find a way to fit it in my gear bags was tricky in itself. For comparison I use the Nikon 105mm f1.4E (“Nikon” for short) and Sigma’s own 135mm f1.8 Art (“Sigma 135mm”). These are unique feature that no other manufacturer offers. The Nikon and the Sigma 135mm have no aspherical elements. The 24-105mm F4 DG OS HSM Art is a relatively wide-range standard zoom for full frame SLRs, and part of Sigma's line of high quality 'Art' lenses. If you’ve been considering adding this lens to your collection, you’ve likely got some questions, and we’re here to help with answers. A magnification of 1:10 is achieved at a distance of 1.18m. So, I found myself no longer quite sure what to do with a true telephoto lens such as the Sigma 105mm at first, even though I desperately wanted to incorporate it. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. The Sigma 105mm F1.4 DG HSM is a very fast, short telephoto prime lens for full-frame DSLR cameras and mirrorless cameras. Sigma’s new macro lens is extremely sharp at any distance and free of color aberrations. Another thing to note is that this lens needs quite a bit of space to focus. If using either Nikon or Canon, though, this is a consideration to keep in mind. Enter the Sigma 105mm f/1.4 DG HSM Art. The Sigma 105mm f1.4 Art is a bright mid-length telephoto lens corrected for full-frame sensors and available in Canon, Nikon and Sigma DSLR mounts, as well as in a native Sony E mount for Alpha mirrorless cameras. Same with the Nikon. May not be used without permission. But how does it stand up to its counterparts from other brands, and is it worth the cost? Sure, there’s been the Zeiss Batis 135mm f/2.8, but I dedicated that particular focal length to buttery smooth bokeh-licious portraits for clients, as well as creating Brenizer Methods. Except for extreme low light situations, in which it slows down a hair, it’s quick to focus. I also enjoyed being greeted with just the right amount of resistance on the manual focus ring. The focus ring has no slack/play between its movement and the focus-action and a throw of 135 degrees, which is very good for accurate manual focus wide open. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. The Sigma 105mm F1.4 DG HSM Art lens—colloquially referred to as the 'bokeh master'—will cost just $1,600 USD when it ships for Canon, Nikon, and Sigma mounts in 'late June.' 10.0/10 average of 1 review(s) Build Quality 10.0/10 Image Quality 9.0/10. It reminded me how much I truly love the compression of a telephoto prime, and how much I missed my Nikon 105mm as a native lens. I love the signature Sigma ART lens design which looks modern, classy and it feels very well made and super solid. Canon has proven that you can build f1.4 primes with image stabilization and not compromise image quality for it. I adapted my gorgeous Nikon 105mm f/1.4 to my Sony cameras for a year and a half as I waited not-so-patiently for a native lens of that length to manifest for the Sony Alpha lineup. Back when I shot on Canon, the Canon 135mm f/2 was a staple in my bag. But this is only when the lens is already focused close to the target distance. It has very good contrast and sharpness across the full-frame sensor, even with the aperture fully opened to f1.4. As a former Nikon 200mm f/2 wielder, I never would have imagined that. In addition to managing conversations, you’ll have to manage the weight of the lens! [0], Sealing: yes, a rubber grommet at the lens-mount plus further special weather-sealing throughout the construction. I only did the occasional exposure compensation in post-processing. Overall, the image quality is beyond impressive, and I am falling in love with the 105 length all over again. Find out now by reading our in-depth Sigma 105mm F2.8 Macro review, complete with full-size sample photos. Besides, for me, the shallower the depth of field, the better. 105mm = 3540mm : Review: Sigma 105mm f/1.4 DG HSM Art Lens : Buy Rent My Recommended Sigma 105mm f/1.4 DG HSM Art Lens Retailers Where you buy your gear matters. My overall impression is this: it’s a specialty lens, it’s a pain in the butt to haul around, but it makes such gorgeous images that you honestly don’t care. Available since July 2018, it … With a larger focus movement repeatability sank to 94,3% but still produced no real outliers. The Sigma 135mm comes in at 1121 + 64g. Repeatability (the accuracy of focus on the same subject after repeated focus-acquisition) of this lens is pretty good (measured 97.8% in Reikan FoCal) with no outliers over a series of 40 shots. Near the end of my time with this lens, it was like riding a bike. Matching its hefty price point is its hefty weight. It uses 17 elements arranged in 12 groups (the Nikon 105mm f/1.4, on the other hand, uses 14 elements arranged in nine groups), which makes the optical design of the lens quite complex and adds extra weight to the lens – but the good thing is it helps correct a number of optical … It simply doesn’t fit in my ThinkTank Airport Navigator unless I completely rearrange my compartments. Since switching to Sony, I was forced to give up the longer telephoto primes due to no native options being available that suited my personal tastes. [+], Covers full frame/FX or smaller = very good. [+]. I was curious to see how it felt to wield such a lens again, and whether it would be worth the heft. Write your own review! Combined with the superior eye AF of the Sony cameras, the Sigma 105mm nailed focus perfectly even at f/1.4, something I wasn’t expecting. The announcement came on the same day with Sigma’s new restructuring of its lens lineup, with three new categories that would differentiate … [0], Auto focus: HSM (Hyper Sonic Motor), so it also works on camera bodies which don’t have an AF-drive built in like Nikon’s D3x00/5×00. It helped me to avoid being overzealous and miss focus by wrenching the ring too quickly. The lens-caps are standard. The Sigma 105mm f/1.4 Art sparkles with this same promise, and in this particular case mimics a coveted Nikon classic, making a fast 105mm prime available to those who shoot Canon and Sony for the first time. Same for the alternatives. So, with the Sigma coming in well over a pound heavier, I have to wonder what they’re feeding this beast in the warehouse before shipping it out. I took it to two weddings, one engagement shoot, and to Iceland, although it wasn’t obvious at first how I would factor it into shoots. Sony A9 & Sigma 105mm f/1.4 Art | 1/1250 f/2.2 ISO 50 | Edited with DVLOP Presets. It is clear that the birth of the Sigma 105 mm f/1.4 Art has been an ambitious project. It has autofocus but relies on the body to provide the AF-drive. After the initial shock of the size wore off, I took a look at the accessories Sigma provided with the 105. In this review I will be covering the full frame E-mount Sigma FE 105mm f/1.4 Lens using the powerful Sony A7R IV. Touted by Sigma as their “bokeh master,” the Sigma 105mm f/1.4 lens has a big job to do, albeit a very specific one. The lens focuses quite fast in around 0.6 sec from infinity to a magnification of 1:10 without hunting which is faster than the Nikon 105mm f1.4E with 0.8 sec but a bit slower than the Sigma 135mm f1.8 Art at 0.5 sec. There’s minimal chromatic aberration—so much so, that I was only once able to discern any at all, though I’m not a pixel peeper myself. The Sigma 105mm f/1.4 Art is a massive lens. I couldn’t get enough of them, so much so that when I switched to Nikon, I opted for both the Sigma 35mm and 50mm ART lenses over the Nikon variations. Yes, it is as massive as everyone says, and it weighs in at a whopping 3.6 lbs (1.63 kgs), just over half the weight of Nikon’s heralded 200mm f/2. The Sigma 105mm | Sony A9 & Sony FE 28mm f/2 | 1/1250 f/1.4 ISO 64, • Retails for around $1.5k • Available for Canon, Nikon, and Sony cameras • Aperture range of f/1.4 to f/16 • Three FLD Elements, Two SLD Elements • One Aspherical Element • Super Multi-Layer Coating • Hyper Sonic AF Motor, Manual Override • Weather-Sealed, Protective Front Coating • Rounded 9-Blade Diaphragm • Removable Rotating Arca-Type Tripod Foot • Compatible with Sigma USB Dock, The Sigma 105mm f/1.4 Art is a premium product, packaged in a premium way. I quickly found myself battling extremely front- or back-focused images, no matter how much calibration I attempted. Use 1/200 sec to be on the safe(r) side or use a tripod. Tests indicate that it’s a very good performer albeit with some serious longitudinal CAs. Unfortunately at a focal length of 105mm and with today’s high resolution sensors it’s pretty challenging to avoid blur/shake with hand-held shots. The Sigma 105mm f/1.4 Art is a no-holds-barred lens that's designed to produce lovely bokeh effects and buttery-smooth backgrounds. The aperture is actuated electromagnetically in the Nikon-version too which makes it the equivalent of a modern E-type Nikon lens and puts away with the mechanical coupling that Nikon uses on all older lenses. But that is true for the Sigma 105mm f1.4 Art too when you use it on a Sony mirrorless body. Inside was a strap for the lens case (which was a genuinely beefy thing, padded extremely well) and a screw-type lens hood that could double as a small salad bowl (according to my brother). Before we dive into the image quality, though, I do want to say that Sigma was smart to include an Arca-Swiss tripod collar with this behemoth. A lens design for a 105mm f/1.4 lens with 17 lens elements, incorporating 2 elements of FLD glass and 2 of SLD glass, in 12 groups. That's $600 less than the Nikon 105mm F1.4E. Overall, once you get over the fact that you’re now wielding a mini t-shirt cannon on the front of your camera body, it really is a nice lens and feels sturdily built. [0], Comes with a nice padded lens case and a strap. Sigma 105mm f/1.4 DG HSM Art review This new ‘bokeh master’ lens from Sigma aims for portrait perfection, putting competitors in the shade By Matthew Richards 04 October 2018. The Nikon does 1:6.7 at 0.92m in manual focus and and achieves 1:10 at 1.26m while the Sigma 135mm goes to 0.84m where it offers a very nice magnification of 1:4.6 and achieves 1:10 magnification at 1.55m distance. Sony also offers the older SAL 135mm f1.8 ZA Carl Zeiss Sonnar T* from 2006 for A-Mount or via an adapter for E-Mount. Razor sharp optics. This is a guest review of the Sigma 105mm f/1.4 DG HSM Art by wedding photographer Megan Allen. From left to right: Sigma 85mm f/1.4, 105mm f/1.4 and 135mm f/1.8 Art. The hilarity of the reactions from wedding guests has varied. Being a mirrorless shooter, I have become accustomed to a smaller load, and even attaching a 70-200mm feels clunky at this point. No more front- or back-focused images. When I received my box from B&H with this beauty inside, I was instantly greeted with a surprising amount of heft. [+], Sigma’s service can change the mount of the lens between Nikon, Canon, Sony or Sigma (at a cost). With the lens being weather-sealed, I didn’t fear taking it to Iceland with me, but its sheer size deterred me from hauling it in my backpack on the long hikes. Lens Mount Sigma 105mm F1.4 DG HSM is compatible with cameras that have Canon EF lens mount.Some of the latest released cameras with Canon EF lens mount are Canon 1D X III, Canon 6D MII and Canon 5D MIV. Sony A9 & Sigma 105mm f/1.4 Art | 1/125 sec f/2.2 ISO 50 | Edited with DVLOP Presets. This all comes at a price: 1400 USD / 1500 EUR is not exactly cheap but roughly in line with other high performance large aperture mid-length telephoto lenses – and again it’s also more affordable than Nikon’s own 105mm f1.4 lens, so one of the big questions I’ll be answering in my review is how these two models compare. With an f1.4 focal ratio the new 105mm f1.4 Art joins the Nikon 105mm f1.4E as the brightest lenses at this focal length, although crucially the Sigma comes in at a lower price and with the benefit of availability in more than just a Nikon mount. You can spend $600-800 more for native lenses if you’d like, but Sigma has made an incredibly compelling case for this lens. With the USB-dock on having a new talking point to manage the weight of the look this lens quite. Words, images, videos and layout, copyright 2005-2020 Gordon Laing from infinity or from a distance. Have very good but relies on the market long, but extremely easy push... 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